Finally getting back into the studio on a more regular basis and it feels great! Now that I have a job that doesn’t suck the life out of me, completely in line with my beliefs, helping to fight the good fight, I have more mental and physical energy to paint! Yay!
Paintings usually evolve over time. This one I started quite a while ago, set it aside to finish up some commissioned paintings, and now I’m back to it. Here are some in-process shots of this Troll having the time of his life in the sandbox…
Any suggestions on what to call this one?
Two of my sock monkey paintings are now available in 11×14 matted prints. Just $29 plus shipping will get you one of these for your very own!
They’re available through my etsy but if you contact me directly at email@example.com I can give you this discounted price.
Add a sock monkey adventure to your life!
I’ve been teaching my drawing classes, in-person and online, and my demo drawings have become a catalyst for my own work.
Here’s a study in preparation of the next Sock Money Adventure painting…
Stay tuned for further progress.
“Realism, n. The art of depicting nature as it is seen by toads. The charm suffusing in a landscape painted by a mole, or a story written by a measuring-worm.” –Ambrose Bierce The Devil’s Dictionary (1911)
I was painting small things, toys left out, or caught out exploring. From the eye level of something or someone small…
I’m ready to paint some fun stuff now! Recently started this one of smooching sock monkeys…
Why am I such a misfit?
Too timid for the cool kids; too weird for the mainstream. Wondering where my work truely fits in.
Perhaps I don’t let myself say what is fighting to come out, programmed to censor myself, preoccupied with what others will think and say, struggling against some expected confines of what a woman my age should be (whatever the fuck that is) that I absorbed along the way. Worried about embarrassing my sons with my subject matter (But they’ve told me they don’t care if I paint dolls with vaginas!)
Scarred and scared from the manipulation and betrayal of a most recent relationship (But I kicked his ass out! I was triumphant! But the damage remains.) Semi-paralyzed with anxiety, doubt, insecurity… Fuck that! I’ve got “bells” too! I’m gonna put on my happy clown face and paint them!
This is my Saturday morning.
Another painting started. Another finished and on the wall.
This is what I do.
For years I’ve painted things, my things – objects I’ve collected and inherited, positioned in an eccentric contrivance or a more conventional arrangement, sometimes nestled among abstract expressionist elements. Monumental objects that require immortalization as well as small almost incidental items that collected dust on a grandmother’s shelf for ages.
Now I’d like to combine my passion and my need to support myself. I’m available for commissions (various sizes and prices to fit your needs.) Send me a photo of your cherished, heirloom, beloved, item and I can reproduce it in paint so you can display an oil paint reproduction of your item next to the beloved item, or split up the heirloom and it’s intricate reproduction so you can keep one and your ever-squabbling sibling can keep the other, allowing everyone to enjoy said heirloom.
Email me at firstname.lastname@example.org
At the beginning of the my independent study in painting this semester I was asking myself: What do I want to paint now? What do I want to say? Do I want to paint a variety of subject matter, maybe a landscape and a self portrait, things I don’t typically paint?
While I stressed about subject matter, my wise professor, Roy Nydorf, told me, “Just be painting; all the other questions will take care of themselves.”
I decided I wanted to illuminate little, overlooked objects, vintage toys, random things. I got lost in the details of the things I was painting and the relationships, or possible interactions between the items.
While I enjoyed the details and the suggested narratives, I also enjoyed just what I could do with paint now. I started painting with the idea that it didn’t matter so much what I was painting as how I was painting it.
As I combined various objects and painted them, stories began to form, memories were evoked. I thought about specific memories and how to reproduce them in paint and what viewers might see, what they would identify with, and how my vague suggested memories might ignite the viewer’s personal memories. I explored the relationship between vision and memory and experience and how these things shape how we see the world, the space or discrepancy between what we see and what we remember, and the pictures in our minds versus the outside world’s images and how they can spark our memories.
So, this body of work turned into combinations of vintage toys in secret little environments, sometimes little pockets in nature, evoking nostalgia and wonder. I found that viewers would look, and smile and/or laugh and say things like: “Wow. That’s weird!” and “I had one of those when I was a kid!” and “You and your creepy dolls!”
I wondered about the role of nostalgia in my work.
What is evoked for you?