heirloom still life
My latest show opened on Friday, March 4th during Winston-Salem Art District’s monthly gallery hop. Delurk Gallery became the temporary home for some of my most beloved objects.
My paintings (still life and abstracts) were combined with installations, recreating familiar moments in a grandparent’s home–like playing on a knit quilt the floor as a child, viewing vintage and antique items arranged in an heirloom glass door shelf, or the surreal scenario of self as a clown in front of a dressing table.
The items brought the viewer back to a familiar past; the paintings activated their imaginations. A group of young men stood around, intently examining each one of my paintings and discussing them, sharing what stories were conjured in their minds when they looked at my work.
A couple of women commented on my painting of a clown toy, asking if the bells on his pants were strategically placed by me–they were amused by what the placement made them think of. They thought it was playful and fun.
I was delighted by the number of people who looked and smiled, reminiscing. Many read my statement, nodding unselfconsciously, and connecting with my sentiment. People were loving my work and asking who the artist was, eager to meet me, ask questions, and share their reactions. It was overwhelmingly positive. I felt like a star!
I’m getting ready for my next solo show. Time is ticking. It’s down to the wire, as they say. I wonder what the origin of that saying is…
Oh, Thanks, Google:
1.informalused to denote a situation whose outcome is not decided until the very last minute.“it was probable that the test of nerves would go down to the wire”
Well, it’s not exactly that. I have in my mind how the show will look and I think it will be well received. It’s just amazing how much time it takes to plan a thing– arranging and rearranging it in your head, diagrams on paper, deliberating, deciding, sourcing objects for an installation portion of the show, and trying not to be distracted by other pressing issues like searching for another rental house that fits in my budget with extra room for a studio.
The theme of this show is Clairsentience.
I love old and vintage things: treasures hunted and inherited. I wonder about how I’m drawn to them, what they mean to me, who they belonged to previously. Monumental objects that require immortalization as well as small almost incidental items that collected dust on a grandmother’s shelf for ages.
“We leave a little of ourselves in the objects that are precious to us.” I’m fascinated by how things become an extension of a person: who and what we construct a person to be from the things they leave behind. Old photos, baby shoes, toys, tools, a favorite teacup…
Clairsentience, also referred to as psychometry or psychometrics, is the ability to perceive the history of an object or person by touching it.
And I’m working to finish one additional painting for the show. A lonely little somersaulting clown. I feel like that little clown, out of control until his gears wind down, next week after a grande opening reception…
For years I’ve painted things, my things – objects I’ve collected and inherited, positioned in an eccentric contrivance or a more conventional arrangement, sometimes nestled among abstract expressionist elements. Monumental objects that require immortalization as well as small almost incidental items that collected dust on a grandmother’s shelf for ages.
Now I’d like to combine my passion and my need to support myself. I’m available for commissions (various sizes and prices to fit your needs.) Send me a photo of your cherished, heirloom, beloved, item and I can reproduce it in paint so you can display an oil paint reproduction of your item next to the beloved item, or split up the heirloom and it’s intricate reproduction so you can keep one and your ever-squabbling sibling can keep the other, allowing everyone to enjoy said heirloom.
Email me at firstname.lastname@example.org
Roll me over – oil on canvas
Recently I presented my work as part of the Greenhill Open NC Art Review program here in Greensboro. It was fun to participate and see other North Carolina artists’ work and offer feedback. It was good to present again, to keep myself from getting rusty after presenting so frequently in school. Here’s a recording of a presentation of my work, what it means, what I mean to capture, what I want to show to entice the viewer’s reactions and memories…
I love to paint objects. The still life paintings I create for myself include antique and vintage, sometimes kitsch, sometimes creepy, sometimes random, items. These are the things I love to look at, the things I collect and surround myself with. On canvas, I surround them with abstract elements, exploring personal connotations and meanings of the objects and their history.
My love of things, arranging them, lighting them in a way that highlights the intricacies of the item, creating shadows that interest, that could capture some other mystery, makes me also want to capture other peoples’ objects and immortalize them in oil paint. Do you own a cherished heirloom item or items that you’d like to share with other members of your family? All of you can’t have the same clock on your mantel, or your grandmother’s babydoll on your shelf. I could compose these items in a significant and sentimental commissioned work just for you! So someone in your family can own the cherished object and someone else can display the unique painting of it.
This past summer I painted for my step father. I looked around his house and selected items that said “Moe.” A metronome, an hour glass, his grandfather’s pocket watch, his mala beads, I combined these things with a small clay vase of fresh roses in rich red to add the vibrancy of life. And a bug crawls up the front of the table, just for fun. I call this painting Time for Moe.