I’ve been working on my Art-o-mat® series – 50 cigarette pack-sized wooden blocks with tiny still life paintings on them that will be called Lilly’s World. They’ll go off to some Art-o-mat® near you or on the other side of the world.
Here’s a sneak peak…
I was delighted that one of my works was chosen for the Greenville Museum of Art Biennial Juried Exhibition. I hadn’t been there before so I didn’t know what to expect but I shipped my painting on ahead to be included in the show. The opening reception was on a Friday, of course, so I braved the tedious Friday afternoon traffic and headed over to Greenville in my little blue car.
The opening reception was great, classy, with free wine and musicians providing a jazzy backdrop for the visual art being enjoyed by the many viewers. I was proud that my work was included. And sock monkey was beaming from his place on the wall!
The Greenville Museum of Art is a great museum, located in a gorgeous classic revival home, which houses a fascinating permanent collection and interesting exhibitions. The building is as interesting to explore as the art. And I really like the curator, a fellow Guilford College alum, who does a fantastic job!
My painting also made it on the front cover of their spring newsletter!
After the reception I had a yummy dinner with friends at a great little Thai restaurant down the street and the next morning journeyed over to the Dickson Avenue Antique Market. Two stories of antique and vintage goodies kept us entertained for a while. I found some cool things which made their way into the installation of my solo show the month after (which I’ll write about next.)
And…I just discovered this video shot at the museum. Sock monkey got himself in…
I’m getting ready for my next solo show. Time is ticking. It’s down to the wire, as they say. I wonder what the origin of that saying is…
Oh, Thanks, Google:
1.informalused to denote a situation whose outcome is not decided until the very last minute.“it was probable that the test of nerves would go down to the wire”
Well, it’s not exactly that. I have in my mind how the show will look and I think it will be well received. It’s just amazing how much time it takes to plan a thing– arranging and rearranging it in your head, diagrams on paper, deliberating, deciding, sourcing objects for an installation portion of the show, and trying not to be distracted by other pressing issues like searching for another rental house that fits in my budget with extra room for a studio.
The theme of this show is Clairsentience.
I love old and vintage things: treasures hunted and inherited. I wonder about how I’m drawn to them, what they mean to me, who they belonged to previously. Monumental objects that require immortalization as well as small almost incidental items that collected dust on a grandmother’s shelf for ages.
“We leave a little of ourselves in the objects that are precious to us.” I’m fascinated by how things become an extension of a person: who and what we construct a person to be from the things they leave behind. Old photos, baby shoes, toys, tools, a favorite teacup…
Clairsentience, also referred to as psychometry or psychometrics, is the ability to perceive the history of an object or person by touching it.
And I’m working to finish one additional painting for the show. A lonely little somersaulting clown. I feel like that little clown, out of control until his gears wind down, next week after a grande opening reception…