Finally getting back into the studio on a more regular basis and it feels great! Now that I have a job that doesn’t suck the life out of me, completely in line with my beliefs, helping to fight the good fight, I have more mental and physical energy to paint! Yay!
Paintings usually evolve over time. This one I started quite a while ago, set it aside to finish up some commissioned paintings, and now I’m back to it. Here are some in-process shots of this Troll having the time of his life in the sandbox…
Any suggestions on what to call this one?
In mine? Furniture!
Faded and soft, like a memory.
A commissioned portrait from a faded black and white snapshot. A sunny day at the beach sometime in the early 1950’s.
I translated a black and white photo into a color portrait – bringing the soft colors of the bathing suit and towel back to life and adding the blush to her skin, flushed from the warmth of the summer sun.
As I painted, I wondered if she ever realized how beautiful she was. We rarely see ourselves as we are, as beautiful as we appear to the ones who love us.
The person who snapped this photo must have loved her very much.
Someone once said, “Do what you love and it’ll all fall into place.” So, after being laid off from my 9-5, (and being relieved of all the stress from an employer that seemed to gain tremendous enjoyment in dicking me around,) I’m in the studio full time, for the time being.
Putting all my energy into my work... my work…my paintings. It feels good and if I keep painting, maybe I can distract myself from the existential dread, the rising Covid-19 numbers, and the fear of uncertainty regarding how I’m going to pay the mortgage on my awesome little house that I love so much.
But it’s all going to be ok. It’ll all fall into place. I’ll figure things out. And in the meantime, I’ll paint. ….and do the dishes sometimes.
And, by the way, don’t ya just love how tomatoes look on a windowsill?
I’m ready to paint some fun stuff now! Recently started this one of smooching sock monkeys…
Time. Light. Shadow. Things left behind. To tell a story…
This is Warranty. It’s oil on canvas and half price for the month of August at $300. Purchase this still life/story or commission me to create your own, with your items infused with your history.
And of course, your’s can look happier than this one.
Once, for a short time, we were separated. He was lured away by a siren with a pack of lies and a pied piper with an ample supply of pot.
Soon after, he saw through the haze and found his way back to me.
And once again his books, his records, his clothes, and all his favorite things came back into my life along with him. I loved being surrounded by his things. It made me feel close to him. I still do.
I’m in the forest, approaching a small log cabin overlooking a still cool lake, a snowy mountain in the distance. I step back, startled by a sweet little fawn creeping through pine needles. As I step back I trip over a branch, I mean the rug; I’m back in my studio…
I’m painting a picture of a picture, a vintage picture painted on a slab of wood with visible tree trunk edges which sits on a fancy vintage hand crafted shelf. The light makes fun shadows on the wall.
When I look back at the photo of this in-process painting I’m fooled into thinking this is a photo of the actual object. The small ceramic deer looks three dimensional with the shadow projected on the painting behind it. Wow… trompe l’oeil! This is fun!
Nope. Not pregnant. Ha ha! This baby is on the way to her next display location, to hang around and wait for the right person to purchase her as a holiday gift for that special someone. Because, after all, doesn’t everyone need a painting of a baby doll hanging from a nail.
Actually, I love this one. I wouldn’t mind at all if she never gets sold. I have the perfect spot for her in my house.
I was painting self portraits of my tattoos and I used this photo of Marilyn as a reference when I painted my boobs because the lighting was better and it was easier to see than the selfies I took for reference. Yea, that’s it…the lighting, right…
My most favorite painting professor taught me that you don’t need to paint the bits that you’re not happy with, you can leave out the double chin, the crows feet if you want to, it’s your painting; it doesn’t have to be exactly realistic.
Isn’t that artistic license?